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Media related articles of the SAMHF
Messenger Newspaper _ _
musicsa.com.au

The South Australian Music Hall of Fame is officially instigated as part of the South Australian music landscape.

Music is the common denominator of us all. It moves people, it motivates and mobilizes them.
It galvanizes them. It’s the sound track to all the personnel memories and happenings in our lives.

The SA MUSIC HALL OF FAME, by it’s nature alone is destined to become a major tourist attraction, locally, nationally and over seas. It will be a highlight of Adelaide Tourists tours. A plaque trail around Adelaide and suburbs of early venues and historical musical happenings will also direct tourists back to...the SA MUSIC HALL OF FAME.

It will also be available to hire for launches, lunches, celebrations, and conferences. The venue facilities will be fully licensed and catered.


Review of Brian Cadd & Zkye 'Preview to the SAMHF' Super Sunday
Sunday October 18, 2009 - Review by Jeff Parham

It was a glorious sunny day on Sunday...I arrived about 2.30 and sensed a happy, bon vivant atmosphere.

With Damien Steele-Scott accompanying on guitar, Zkye was in full flight and as happens, "knocked the socks off" those who had not heard her deep-throated. strong and 'emotive' voice before .. she pulled a few eyes out of their sockets too by her stuuning appearance!

A break allowed closer inspection of David Day's recent artwarks .. figures of rock, rocks in the outback, etc. 'Daisy' told me the good news that his hard-to-get 1985 book 'It's Our Music' will be re-printed next June

On came Cadd & Co...a good tight band with Damien Steel-Scott staying on to play bass and Ursula excelling on backing vocals. Cadd was in fine form as a vocalist, keyboardist, comedian, raconteur, hand-clapper, energiser and dance-caller. He pulled out an armory of good old (70's!) sing-along songs and told some good tales in comic fashion.

At one point, I was changing camera settings after he had told everyone to wave their hands in the air ..."You too! Urrrgh!!" he barked. I had no option but to oblige. "Ah, the power of an "urrgh"!", he quipped to all.

It really was an enjoyable, well-spirited afternoon. Zkye and Cadd donated their time and services towards costs of establishing the SAMHF & also contributing to Support Act Limited; Australia's Music Industry Charity Fund....as will other artists over the next weeks of Sunday sessions at the Kentish

Jeff Parham - JAPEG GROUP (Jeff's Adelaide and Places Elsewhere Group) To find out more about this group, email Jeff here

What the music industry is saying about the SAMHF


Michael Gudinski
AM. Liberation.

“Adelaide has always had a unique live situation whereby the public have really gone out and supported the live talent to the point where bands came quickly to the attention of the rest of the nation. The city has been a landmark for its many inner-city and suburban venues to great theatres and outdoor parks and gardens for concerts.

As a manager I have had the pleasure of looking after many Adelaide bands and their personalities including Jimmy Barnes, The Angels, Stars, Paul Kelly, Doc Neeson, Scandal and John Swan.

As I grew up Adelaide delivered :- The Masters Apprentices, The Zoot, and the Twlights.”


Music Historian
Glen A. Baker

“As an outsider, I can only marvel at the rich vein of creativity which ran through the city of churches and only presume to understand the forces. How I wish I had been there lining up outside the Oxford Cub to see the incomparable Twilights play Beatles songs that not even the Beatles would attempt live; jammed inside the fetid Beat Basement while Dust and Ashes, Blues, Rags & Hollers, and The Others paid homage to Elmore James and Howling Wolf; leaping about the Octagon Dance to the perfect pop sounds

of The Harts, the young Zoot and the Chosen Few; being introduced to psychedelia by The James Taylor Move or rock-blues by a young but tempestuous Wendy Saddington.

What a charge it must have been to have witnessed the graduation of a young Scot called Jim Keays from junior commercial artist to the adored lead singer of the firestorm known as The Masters Apprentices.

What is obvious to an outsider is the very great pride which the youth of Adelaide possessed for their music and its creator.”

THE SA MUSIC HALL OF FAME supports SUPPORT ACT LIMITED
Brian Cadd—Performer
Board Member of Support Act Limited

Adelaide has its own special set of environmental factors which contributed to the creation of what was, and still is consistently the most open, inventive and intelligent sub-style of pop/rock in Australia.

That the city has been able to give birth to a stream of high quality acts in quite disproportionate numbers, is stark proof of the cultural vibrancy which has long been a part of its great charm.

Support Act is a registered charity which was formed in 1997 to provide relief and assistance to members of the Australian music industry who are in need or suffering hardship, illness or distress. It was founded by the music industry's peak bodies ARIA, APRA, AMCOS and PPCA and raises funds through events and its members. Support Act has active State Groups.
www.supportact.com.au

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